Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Thomas Pakenham
The Battle of Ballynahinch on 13 June by Thomas Robinson,the most detailed and authentic picture of a battle painted in 1798

ID: 49400

Thomas Pakenham The Battle of Ballynahinch on 13 June by Thomas Robinson,the most detailed and authentic picture of a battle painted in 1798
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Thomas Pakenham The Battle of Ballynahinch on 13 June by Thomas Robinson,the most detailed and authentic picture of a battle painted in 1798


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | McCracken-s United and twentieth century portrait | Lord Castlereagh Pitt-s 28-year-old Protege and acting chief secretary | Henry Grattan | Erin Go Bray | Robert Emmet 24-year-old brother of Thomas Addis Emmet |
Related Artists:
Maurin, Charles
French, 1856-1914 was a French painter who practised a variety of styles. A notable symbolist work of his being Maternity, a study of motherhood. He was a friend of the painter Felix Vallotton.
Theodor Horschelt
(1829 -1871 ) - Watercolours
Giambattista Pittoni
(1687?C1767) was an Italian painter of the late-Baroque or Rococo period, active mainly in his native Venice. Pittoni is best known for his "grand-manner" canvases depicting religious, historical, and mythological subjects (such as Sophonisba and Polyxena). He was a co-founder of the official painter's academy in Venice (in competition to the old fraglia or painter's guild), the Accademia di Belle Arti di Venezia, and he succeeded as President (1758?C1761) his contemporary Giovanni Battista Tiepolo. Pittoni never left his native Venice, but completed commissions from German, Polish, Russian, and Austrian patrons. His mature palette was noted, as was Tiepolo's, for his lightness of tone. Besides Tiepolo, Pittoni's influences were Giovanni Battista Piazzetta, Sebastiano Ricci, and Antonio Balestra. His paintings were of a Rococo style, but later became more sedate in their approach towards Neoclassicism.






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