Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Thomas Pakenham
The Battle of Ballynahinch on 13 June by Thomas Robinson,the most detailed and authentic picture of a battle painted in 1798

ID: 49400

Thomas Pakenham The Battle of Ballynahinch on 13 June by Thomas Robinson,the most detailed and authentic picture of a battle painted in 1798
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Thomas Pakenham The Battle of Ballynahinch on 13 June by Thomas Robinson,the most detailed and authentic picture of a battle painted in 1798


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | Heroic conduct of the Highland Sentinel | Robert Emmet 24-year-old brother of Thomas Addis Emmet | Rebels dancing the Carmagnolle in a captured house by cruikshank | His death mask in his alma mater | Cruikshank-s grim picture of the scene at Scullabogue barn,Country Wexford on June 5 |
Related Artists:
Nathan Webb
1767-1853
Johann Evangelist
Johann Evangelist Holzer (December 24, 1709 - July 21, 1740) was an Austrian-German painter. Holzer was born in Burgeis, Mals, in the Vinschgau Valley of South Tyrol, as the son of a miller. He was sent to undertake a classical course of study at Marienberg Abbey, but wished to study art; a portrait he painted of Johann Baptist Murr, then the abbot of the abbey, convinced his father to yield to his wishes. He studied under Nikolaus Auer and made rapid progress. At the age of 18 he painted the altarpiece of the Marienberg Abbey church, depicting Saint Joseph as patron of the afflicted, ill, and dying. He then went to Straubing, where he learned under Joseph Anton Merz how to paint frescos, which would become the main source of his later fame. He helped Merz paint the frescos of Oberalteich Abbey, and while in Straubing also painted Saint Anthony of Padua for the Franciscan church there. 1738/39 was in the painting of Eichstätt for the high altar of the Schutzengelkirche It is Holzer's largest painting on canvas (H: 8,36 m; B: 4,28 m) and impresses through movement, gesture, a dynamic composition, and a sophisticated lighting design. Although there are two pictures (side altars) signatures of Bergmeller, they will Holzer, assigned by the archives occupied painter of the high altar painting.
Giovanni Toscani
Italian Painter, ca.1370-1430






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